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<br />_28 <br /> <br />TUESDAY <br /> <br />JULY 14, 1953 <br /> <br />1. Imposition of such a tax is a cliscriminatory, arbitrary, additional <br />tax exaction. I have already" stated that the exibitor must pay all other <br />taxes that retail or similar operations pay. <br /> <br />2. The arrmsement business is essentially a legitimate bus iness and caters <br />principally to persons in the lower income brackets who are financially <br />unable to afford more expensive amusements such as clubs, golf, etc. <br /> <br />3. The amusement interests, in the final analysis, pay amusement taxes <br />because through years of experience it has been found that there is a <br />certain level of admission more than which the public will not pay. Any <br />increase in price brought about by aJnusenent taxes innnediate~ affects <br />attendance and since it innnediate~ affects attendance, this means that <br />the theatres must absorb amusement taxes and pay them out of the exhibitor's <br />own pockets, which the exhibitors cannot afford to do, for the reasons <br />stated below. <br /> <br />4. The amusement interests are in serious financial difficulties and cannot <br />stand the imposition of amusement taxes. Because of increase in federal and <br />state taxes in general, and the declining purchasing power of the dollar, the <br />number of dollars available for amusement money has steadily declined since <br />1946. TIlis, added to the tax free competition of television and other <br />arrmsements, has resulted in admissions which is very seriously affecting the <br />motion picture industry and the taxable values of this industry. <br /> <br />We shall be glad to ShOVl you, by actual operating statements, that paid admissions <br />to the theatres do not meet the cost of operating these theatres. The solvency of <br />large investments in motion picture enterprises, representing as I said before, <br />the lifetime earnings of marv of the oymers, is in jeopardy. The exhibitors still <br />hope for a better day, either in the tax situation, or the technical advances, <br />such as three dimension pictures, through which they may be able to increase <br />attendance. Imposition of the amusement tax is the straw that is breaking the <br />camel's back and thrOYiS these theatres into greater i'inancial difficulties. As a <br />result of these factors, thousands of theatres have closed t."'1roughout the Uni tad <br />States and marv have closed in the state of VirgiILi.a, and others are closing and <br />certainly will close j~ ta,'(es are not reduced. <br /> <br />5. The closing of theatres means also a loss of taxable valued. <br /> <br />A four-wall theatre cannot readily be converted into any other use. The Chairman <br />of the Economics Committee of the National Association of Real Estate Boards <br />appeared before a committee of Congress studyiYl[; the plights of theatres and what <br />could be done to help them, and stated, as reported in the Wall Street JO~lrnal of <br />April 17, 1953, that "movie theatres shut down throuc;hout the country are haYing <br />a diversant affect on Ineishborhood values I . rr <br /> <br />You may think that a few cents does not mean anything to the public, v[hieh wants <br />to see motion pictures. But I ask You, from your oym experience and knowledge <br />of the public, to recall how much a few cents, or even one cent difference in <br />the price of cigarettes and the price of Gasoline means to the average man. He <br />vrill go a long way to save a penny; the motion picture people have fOLhTld that one <br />or two cents difference means thp difference between a man going himself and <br />taking his friends and fa~ily to a motion picture, or not going, because the pennies <br />add up. PenIues add up to the exhibitor also &'ld can mean a loss or a profit in <br />the motion picture industry. <br /> <br />